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A roomful of air-traffic controllers emits a dull roar of astonishment at watching an airplane cross the Verrazano-Narrows Bridge and plunge into the World Trade Center.Filmmakers like Kiarostami and Greengrass turned to nonperformers in search of a spontaneity they found lacking in professional actors and to imbue their fiction filmmaking with some of documentary’s claims to truth.
She has just purchased some razor blades after Ilya told her that he could only forgive her if she died.This neorealism was a cinema of alternating frenzy and resignation, and its directors, Roberto Rossellini and Vittorio De Sica foremost among them, sought out nonprofessional performers in the hopes of summoning a visceral response to events onscreen.(When I spoke with the Safdies, they quickly mentioned neorealism—along with Larry Clark’s Within this subgenre was the idea of having a nonprofessional performer portray themselves onscreen.The goalposts are constantly moving, and yet audiences are hungry as ever for the unadulterated “truth.” French New Wave filmmaker Jacques Rivette once observed that every film was a documentary of its own making.is the latest incarnation of a subset of films that seeks to document what happens when an ordinary person is asked to relive her life as the camera rolls.
The artifice of storytelling undergoes an alchemical change, via the presence of these performers, until we feel that we are watching, at long last, a certain kind of truth. An earlier version stated that Holmes wrote 17 pages in one day.